Wendall K. Harrington has created media and projection design for performance since the late 1970’s, and served as an artistic associate at the Public Theatre. Her work on Broadway includes: “The Who’s Tommy,” “Grey Gardens,” “Driving Miss Daisy,” “Ragtime,” “The Capeman,” “Company,” and “They’re Playing Our Song.” Her designs have appeared in “Werther” and “A View from the Bridge” at the the Metropolitan Opera, “Candide” at Carnegie Hall, as well as a number of ballets for the American Ballet Theatre, the New York City Ballet and Miami City Ballet. The former design director of Esquire Magazine, she is the head of the Projection Design concentration at the Yale School of Drama.